Thompson, CT

Alecia Barry Underhill rose from the muck heap of a riding stable to attend the Rhode Island School of Design, where she traded in her pitchfork for a paintbrush and channeled her love for horses into a lifelong pursuit of capturing equines and other barnyard denizens on canvas.  You may find her with her camera, traipsing around the county fairgrounds seeking the cow barn with the best light, stomping divots on the polo field, or wandering the backstretch at Saratoga.  Any creature with wings, hooves or tails is fair game for subject matter, including her own two equines, her dog, Cheerio, Pixel, the grumpy tabby, and a rotating flock of hens.   

She is known for her alphabet posters, “Horses from A to Z”, and “Alphadogs”, and is the illustrator of “For Horse Crazy Girls Only” by Christina Wilsdon.  She has exhibited in horse-friendly venues across the country such as the International Museum of the Horse, the Wildlife Experience Museum in Denver, Churchill Downs, the Skyline Museum, and The Theodore Roosevelt Society.  She has painted several sets for the Bradley Playhouse, and you may occasionally catch a glimpse of her onstage in the ensemble of a musical.

www.aleciaunderhill.com

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In addition to her evocative oil landscapes, mixed mediums* and collage make up Donna O'Scolaigh Lange's new work. Donna is inspired by her Irish heritage and the unsurpassed beauty of the Quiet Corner.

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BIO AND STATEMENT

Originally from Rochester New York, I have been a native of Sturbridge Massachusetts for over 30 years. After receiving a BA in Studio Art from The College at Brockport, SUNY I went on to obtain my MFA from The Ohio State University, with a concentration in sculpture.  I’ve practiced in the commercial world as an Experiential Custom Exhibit Designer for most of my career, and more recently focused my attention on painting.

Statement, Process and Rational:    I work mostly in an expressionistic manner, experimenting and getting more detailed as the work progresses. I’m motivated and inspired by micro organic design elements I see in the environment. My images are purely invented. Nonrepresentational, extreme close-up landscapes.   Exaggerated by color, texture, line and shape. 

DOMINIC MALIZIA

Frances Kornbluth was born in New York City on July 26, 1920. As a child, Kornbluth developed a passion for the piano, and graduated from Brooklyn College in 1940 with a degree in music. During World War II, she married, and—while her husband was overseas—worked in Washington DC for the Lend Lease Organization and then the Office of Strategic Services. After the war, Kornbluth and her husband moved to Merrick, NY where they had two children.

In 1947, Kornbluth enrolled in an art workshop on Long Island and began painting figures and still lives in the studio. In 1955, she enrolled in the Brooklyn Museum School, where she studied with Reuben Tam (1916 - 1991) and William Kienbusch (1914 - 1980) for four years. During this time, Kornbluth painted in and out of the studio—including the Freeport marshes and Jones Beach—and her work became increasingly abstract. It was Tam who encouraged Kornbluth to exhibit her work at the Brooklyn Museum and the City Center Gallery, in addition to introducing her to Maine’s Monhegan Island in 1957—she would later credit Tam with: “defining me as the artist I had never envisioned becoming.” Kornbluth also studied with Robert Richenburg (1917 - 2006) at the Pratt Institute, where she received a master’s degree in 1962. In 1969, Kornbluth and her family moved from Merrick, NY to North Grosvenordale, CT, where she would maintain a winter studio for the rest of her life.

For 57 years, Kornbluth spent her summers on Monhegan Island, renting in different locations until 1974 when she purchased a cottage in Lobster Cove and established a permanent summer studio. Imagery from Monhegan Island—including Lobster Cove, Burnt Head, White Head and Ice Pond—recur in different ways throughout her work.

The Dominican Republic is another location that recurs in Kornbluth’s work. She was an artist in residence at Altos de Chavon, an artists' village in La Romana, during the fall of 1985.

On May 26, 2014, Kornbluth died in Dayville, CT at the age of 93. During her lifetime, she was a member of the National Association of Women Artists, a charter member of the National Museum of Women in the Arts and a member of Women Artists of Monhegan Island.